In our inaugural podcast, Contributing Editor Cynthia Houng speaks with Prof. Surekha Davies about her book, Renaissance Ethnography and the Invention of the Human: New Worlds, Maps and Monsters (Cambridge University Press, 2016), winner of the 2016 Morris D. Forkosch Prize for the best first book in intellectual history.
Below, you’ll find some of the maps and objects that we discuss in our conversation. Follow the links to explore each object in greater detail.
Explore other parts of this large map (it is 260 x 130 cms in size!).
A note on the music in this podcast:
The music on this podcast was recorded by Paul Bowles in Morocco in the late 1950s.
Today, we remember Bowles as the author of The Sheltering Sky, but he was also a composer with an interest in ethnomusicology. That interest, coupled with his belief that Moroccan musical traditions were threatened by post-Independence modernization efforts, led Bowles to propose, in 1957, that the Library of Congress sponsor a project to record Moroccan music in all of its breadth. The project was, in Bowles’s words, “a fight against time.” In 1959, with the support of the Library of Congress and a grant from the Rockefeller Foundation, Bowles criss-crossed Morocco, setting up recording sessions in towns all over the country. He would make three more trips between 1959 and 1961. Bowles had no formal training in ethnomusicology, and his choices were guided by the contingencies of geography and travel–and by his own aesthetics.
In that sense, Bowles shares something with early modern travel writers and cartographers. They made forms of knowledge that bear some resemblance to modern-day academic disciplines, but belong, properly, to their own times. Bowles once told an interviewer, “I’ve always wanted to get as far as possible from the place where I was born. Far both geographically and spiritually. To leave it behind. One belongs to the whole world, not just one part of it.”