Ottoman_Dynasty,_Portrait_of_a_Painter,_Reign_of_Mehmet_II_(1444-1481)

Portrait of a painter during the reign of Mehmet II (1451-1481)


Nuala
Alexandra Alvergne and Vedrana Högqvist Tabor, “Is Female Health Cyclical? Evolutionary Perspectives on Menstruation,” (TREE)
Jen Banbury, “The Weird, Dangerous, Isolated Life of the Saturation Diver” (Atlas Obscura)
Jill Lapore, “The Right Way to Remember Rachel Carson”(New Yorker)
Jenna Tonn, The Handmaid’s Tale. Hulu. Season 1 (April–June 2017). Television (Journal of the History of Biology)
A.J.
David Graver, Art Activist Liina Klauss’ Sculpture From 5,000 Salvaged Flip-Flops, (Cool Hunting)
Nur Asyiqin Mohamad Salleh, “The rise, fall and rise of Anwar Ibrahim,” (The Straits Times)
Stephen M. Walt, “The Art of the Regime Change,” (Foreign Policy)
Brendan M
Lauren Michele Jackson, Shudu Gram Is a White Man’s Digital Projection of Real-Life Black Womanhood (New Yorker)
Daniel Immerwhar, We’re the Good Guys, Right? (N+1)
Alex de Vreis, Bitcoin’s Growing Energy Problem (Joule)
Ryan Avent, A Brief(ish) Review of Radical Markets (Medium)
Spencer
Mary Beard, “New deal for old tyrant” (TLS)
Miles Burrows, “Conversation in Avalon” (TLS)
Karl Kirchwey, “Once I lived” (Atlantic)
Josephine Livingston, “Weird Fiction is Alive” (New Republic)
Sarah
Emma Brockes, “Tom Wolfe and the Bonfire of Male Literary Reputations,” (Guardian)
Daniel Kalder, “Tradition and the Individual Tyrant,” (TLS)
Nathalie Olah (in conversation with Brett Easton Ellis), “Brett Easton Ellis and the Future of Fiction,” (TLS)
Sally Rooney, “An Irish Problem,” (LRB)
Giovanni Tiso, “Restoring the Future: On the Closure of Italy’s Asylums,” (Overland)
Derek
Michael Moorcock, “The Truth of Ray Bradbury’s Prophetic Vision” (Lithub)
Joseph Vogel, “The Forgotten Baldwin” (Boston Review)
Kate Cronin-Furman, “The Insistence of Memory” (LARB)