Author: sarahclairedunstan

Categories
Think Piece

Towards a History of Hebrew Book Collecting: A Review of this Year’s Manfred R. Lehmann Workshop in the History of the Hebrew Book

by contributing editor Yitzchak Schwartz

Last month I once again attended the Manfred R. Lehmann Memorial Master Workshop in the History of the Hebrew Book at the University of Pennsylvania. This is my fifth year attending the workshop and my second writing about it for the blog. As I wrote about last year, the workshop’s goal is to bring together scholars and professionals working in fields related to the Hebrew book to learn from senior scholars about their methodology and research. This year’s presenter was Joseph Hacker, Professor Emeritus of Jewish History at the Hebrew University of Jerusalem. Dr. Hacker’s research centers on the history of Jews in the Ottoman Empire and the intellectual history of Sephardic and Eastern Jews.  At the Workshop, he discussed a newer project, on which he has published several articles, on the history of Hebrew book collecting. While there have been several important studies written on specific collections in the modern and early modern periods there is no history of the subject. Dr. Hacker’s project ties up many loose ends, synthesizes the extant scholarship and paves the way for scholars to begin drawing much broader conclusions about Hebrew book collecting and its evolution over time.

Dr Hacker’s workshop traced the history of Hebrew book collecting from the early middle ages to the two decades after World War II using an extremely diverse array of source material. He argued that while the Talmud speaks of batei midrash, houses of study, there is no explicit record of these having been places where books were kept for public use. The first recorded public collections of Hebrew books are in the medieval Islamic world, contemporary with the emergence of the madrassa as a center or textual learning among Muslim elites. For example, in his twelfth century historical work Sefer HaQabbalah Abraham ibn Daoud states that the powerful Jewish vizier of Granada Samuel Hanagid (993-1056) maintained a room of books where others could come to read and copy.  Paralleling the term madrassa, such collections are referred to in medieval and some early modern texts by the term midrash, meaning a place of learning. References to midrash are scattered throughout the medieval period in historical works, rabbinic texts and various other kinds of sources that Professor Hacker has collected material from in the course for this and other projects. He argues that the existence of such centers for study and copying calls into question a popular argument, popularized by the codicologist and book historian Malachi Beit-Arie’ that Jews never had a parallel institution to the Christian scriptoria. Dr. Hacker argues that for all intents and purposes these centers were effectively the same thing even as there are fewer examples, especially during the early medieval period.

Collections of Hebrew books began to take on larger proportions during the early modern period, when they began to include printed books. Dr. Hacker demonstrated the existence of communal collections in many major Spanish and Italian Jewish communities based largely on censorial and inquisitorial records. They consisted of volumes of Jewish sacred texts (liturgy, Talmud, Bible and commentaries on all three) as well as works on philosophy, medicine, grammar and more esoteric subjects. At the same time, Christian hebraists began assembling much larger collections of Hebrew manuscripts. The earliest hebraists, many of whom had ties to royal courts that were already collecting Eastern texts forged relationships with Eastern Jews and bought manuscripts from them at a time when they had already begun to replace their manuscripts with printed books. Eastern Jewish communities remained very protective, however, of specific manuscripts held special communal or spiritual value. By the mid-eighteenth century, many Jewish collections of manuscripts had been purchased by hebraists and by the early nineteenth most of the great hebraist collections had been absorbed into state collections such as the bibliothèque nationale and the British and Bodleian libraries. Dr. Hacker ended the workshop by discussing Jewish attempts to form comparably large and encyclopedic institutional collections in the mid-nineteenth to early-twentieth century by institutions such as YIVO in Vilna, the Hochschule für die Wissenschaft des Judentums in Berlin, the Jewish Theological Seminary in New York and the Jewish National and University Library in Jerusalem. They all succeeded to various degrees but, when it comes to manuscripts, Dr. Hacker argues, the Hebraists had two centuries earlier succeeded in developing very accurate criteria for determining importance and authenticity and had bought out the best stock. As a result the most important manuscript collections remain those of European national rather than Jewish institutions.

NLI building2.jpg

By אסף פינצ’וק – The National Library of Israel, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=14181732

The relatively recently formed collections of institutions such as the Jewish National and University Library in Jerusalem are an exception to the rule, Dr. Hacker argues, in that they were formed without the legacies of Christian Hebraists and amassed encyclopedic collections despite the destruction of Jewish communal libraries during WWII

Another important and as-yet only partially-told  story that Dr. Hacker’s presentation touched upon was the effect of WWII and the Holocaust on European collections of Hebrew Books. It is well-known that the German efforts to destroy the Jewish intellectual legacy harmed many of Europe’s most important Hebrew book collections. I was unaware, however, of the extent to which those collections that survive only do piecemeal. For example, Dr. Hacker cited scholars who have written about the YIVO and Hochschule für die Wissenschaft des Judentums collections who conclude that much of these collections were lost. Many Hebrew books were also destroyed in fires to state libraries in Eastern Europe caused by combat and bombing such as one that gutted the Warsaw Library, which had previously held a collection that included many unique manuscripts. Importantly for intellectual historians of Judaism, Hasidic mystical texts seem to have been some of the greatest casualties of this destruction. Dr. Hacker presented original research on the fate of several important dynastic collections of Hasidic courts, most of which were completely destroyed during the war and that all contained original, unpublished texts.

One consequence of Dr. Hacker’s research that I found particularly intriguing was that it suggests just how hard it is to be certain as to the complete contents of any collections or even of all the genres a given collection might have contained. Dr. Hacker’s work is based on a twofold approach of working back from contemporary collections and mining the entire corpus of related texts to piece together historical collections. When discussing early modern Jewish collections, for example, he made particular use of censorial records but  also cited various contemporary texts in many languages. Dr. Hacker pointed out that in several Italian communities, censorial records showed complete absence of prayer books while in others complete absence of Talmudic manuscripts. He suggests that these communities may have simply decided not to turn in those genres to censors, perhaps because they used them on a day-to-day basis and concluded that their temporary absence would be too great an obstacle to the community’s functioning. Similarly, the inventories of personal collections that Hebraists and some Jewish collectors made up were often survive in only one version and may or may not reflect the final state of collections or even their entire scope. So while Dr. Hacker’s research compellingly outlines the evolution of Hebrew book collecting, the source material it uses for the early modern period at least would not give researchers a conclusive picture of the kinds of books in these libraries. Dr. hacker’s research thus seems to me to present a methodological red flag against researchers making arguments from absence in censorial or inquisitorial records.

Dr. Hacker’s work on the history of Hebrew book collecting is still in progress and the workshop left me with several important questions: One question I found myself coming back to again and again was about Dr. Hacker’s chronology: He sees the absence of records or explicit discussion of midrash-type spaces prior to the middle ages as evidence for the lack of their existence. However, parsing the evidence he cited for the development of the midrash in the medieval period I began to wonder: Dr. Hacker has found references to various important medieval figures such Samuel Hanagid and Isaac Abarbanel having maintained libraries. These references are generally made in the context of biographical (in Abarbanel’s case autobiographical) accounts of those figures. We have no similar historical texts from earlier periods that would tell us one way or another about libraries. Moreover, many scholars believe the ancient Dead Sea Scrolls  originally comprised a library for the sectarian residents of the Qumran settlement. Midrashic texts refer to a library as having existed in the Temple, demonstrating that the notion of a semi-public library was at the very least not alien to the rabbis of the Talmudic period. As a result I wondered whether the distinction between the midrash of the middle ages the beit midrash of the talmudic period really held weight.

Another question that Dr. Hacker’s work raised for me and several of my co-participants at the workshop was that since it looks only to collections of Hebrew books it awaits further research to explore the presence of non-Hebrew books in Jewish collections. What kinds of non-Hebrew books did early modern and modern Jewish collectors and institutions own? And what kinds of communities, based on the Hebrew books they had, tended to collect what kind of non-Hebrew books? How did these relations differ from location to location, between Turkey and Northern Italy for example? These are questions that could shed a great deal of light on the intellectual worlds of these Jewish communities. All of these questions make clear, to my mind, that Dr. Hacker’s work is laying the groundwork for many new and promising avenues of inquiry in Jewish intellectual history.

Categories
Think Piece

The Idea of the Souvenir: Mauchline Ware

by guest contributor Tess Goodman

The souvenir is a relatively recent concept. The word only began to refer to an “object, rather than a notion” in the late eighteenth century (Kwint, Material Memories 10). Of course, the practice of carrying a small token away from an important location is ancient. In Europe, souvenirs evolved from religious relics. Pilgrims in the late Roman and Byzantine eras removed stones, dirt, water, and other organic materials from pilgrimage sites, believing that “the sanctity of holy people, holy objects and holy places was, in some manner, transferable through physical contact” (Evans, Souvenirs 1). We might call this logic synecdochic: the sacred power of the holy site is thought to remain immanent in pieces of it, chips from a temple or vials of water from a well.

As leisure travel became more common, souvenir commodities evolved from relics. By the eighteenth and nineteenth centuries, tourist-consumers had access to a large market of souvenir merchandise. Thad Logan describes china mugs, novelty needle cases, “sand pictures, seaweed albums,” tartan ware, and a wide range of other souvenir trinkets commonly found in Victorian sitting rooms (The Victorian Parlour, 186). Modern souvenirs are not very different. T-shirts from Hawaii and needle cases from Brighton both rely on the logic of metonymic association, as Logan (186) and Susan Stewart (On Longing, 136) point out. In order to memorialize a tourist’s experiences, the shapes and decorations of these souvenir trinkets evoke the site where those experiences took place.

How did synecdoche become metonymy? What changed? To begin to answer these questions, we can consider a test case: wooden souvenir trinkets from Victorian Scotland. These artifacts draw on both synecdochic and metonymic logic. Therefore, they provide evidence about a transitional phase in the history of the souvenir, and in the history of the way we derive meaning from objects. They do not represent a single moment of transition—this evolution was gradual and piecemeal, taking place over decades if not centuries. Instead, these souvenirs provide a useful case study, a point from which to consider a broader history.

Goodman image 1
Thomas A. Kempis. Golden Thoughts from the Imitation of Christ. N.p, n.d. Bdg.s.922. National Library of Scotland, Edinburgh.

These souvenirs were known as Mauchline ware—named for Mauchline, a town in Ayrshire (Trachtenberg, Mauchline Ware 22-23). Mauchline ware objects were made of wood, decorated in distinctive styles, and heavily varnished for durability. The earliest Mauchline ware pieces were snuffboxes. By mid-century, tourists could buy Mauchline ware pen knives, sewing kits, eyeglass cases, and many other miscellaneous objects. (The examples discussed in this blogpost all happen to be book bindings.) Some of Mauchline ware objects were decorated with a tartan pattern, immediately recognizable as emblems of Scotland. Equally popular were Mauchline ware objects decorated with transfer images of tourist sites. These trinkets functioned with metonymic logic, as modern souvenirs. For example, the binding below bears an iconic representation of Fingall’s Cave.

But sometimes, manufacturers of Mauchline ware took lumber from tourist sites to construct these souvenirs. Captions on the items would indicate the source of the material. Examples abound: a copy of The Dunkeld Souvenir was bound in wood “From the Athole Plantations Dunkeld” (Burns). The photograph below shows a copy of Sir Walter Scott’s Marmion bound in Mauchline ware, using wood “From [the] Banks of Tweed, Abbotsford.” More gruesomely, the boards on a copy of a Guide to Doune Castle were “made from the wood of Old Gallows Tree at Doune Castle” (Dunbar). These captions present the souvenirs as synecdochic artifacts—not religious, but geographical relics. Their purchasers could, quite literally, take home a piece of Scotland.

Goodman image 2
Walter Scott. Marmion. Edinburgh: Adam and Charles Black, 1873. Bdg.s.939. National Library of Scotland, Edinburgh.

These objects were part relic, part commodity. There was a commercial rationale for this combination: the publishers of these books leveraged the appeal of the wood as a relic, but they also transformed the raw material into a distinctively modern, distinctively Scottish consumer product. Contemporary accounts in a souvenir of Queen Victoria’s visit to the Scottish Borders expose some of the commercial logic behind the production process. Publisher’s advertisements in this 1867 book list the “fancy wood work” items its publishers sold in addition to books, and the original source of the wood used in the souvenirs (The Scottish Border 1-2). The binding on this copy states that the wood was “grown within the precincts of Melrose Abbey.” The advertisement provides more detail:  

‘Several years ago, when the town drain was being taken through the ‘Dowcot’ Park, […] a fine beam of black oak was discovered about six feet below the surface of the ground. It is now being taken up […] by Mr. Rutherfurd, stationer, Kelso, for the purpose of being turned into souvenirs. […].’ –Scotsman. Messrs. R may state that most of the “fine beam of black oak” […] split into fibres when exposed to the air and dried. Of the portions remaining good they have had the honour of preparing a box for Her Majesty in which to hold the Photographs of the district specially taken at the time of her visit. (2)

The wood was found on ground between Melrose Abbey and the Tweed, exhumed, and transformed into souvenirs. The publisher’s ad actually refers to these souvenirs as “Melrose Abbey Relics” (2). But they do not adhere to the logic of the early relic: these publishers describe the original wood as quasi-waste material that disintegrated into useless “fibres” when exposed to air. By using the wood for Mauchline ware, the publishers not only preserved the wood against further disintegration: they transformed organic waste into a valuable luxury product, rare and fine enough to present to the Queen. The organic source material lends some authenticity, but it was the process of commodification that added value and intellectual interest.

In short, the relic was not wholly abandoned: the relic and the souvenir co-existed, and some souvenir commodities borrowed ancient synecdochic logic. The gradual, piecemeal evolution from relic to commodity was part of the development of modern consumer culture. The publishers behind these Mauchline ware book bindings were scrambling to reach a new market. Their commercial innovations drew on both ancient and contemporary ideas about the relationships between object, place, and memory. Their publications allow us to consider the changing ideas that allow us to derive meaning from these souvenirs, and from objects like them. Of course, the ultimate meanings of these souvenirs were the personal memories they preserved for their owners. Those meanings remain mysterious, and always will.

Tess Goodman is a doctoral student at the University of Edinburgh. Her research explores book history and literary tourism, focusing on books sold as souvenirs in Victorian Scotland. Previously, she was Assistant Curator of Collections at Rare Book School at the University of Virginia.  

Categories
Think Piece

Amnesty International and conscientious objection in Australia’s Vietnam War

by guest contributor Jon Piccini.

Human rights are now the dominant language of political claim making for activists of nearly any stripe. Groups who previously looked to the state as a progressive institution conferring rights and duties now seek solace in our (at least, until recently) post-national world in global protections and norms – a movement ‘from the politics of the state to the morality of the globe’, as Samuel Moyn puts it.[1]

Yet, a long history of contestation and negotiation over human rights’ meaning belie the term’s now seemingly unchallengeable global salience. What constituted a ‘right’, who could claim them and what relation rights claiming had to the nation state are long and enduring questions. I want to explore these questions by focusing on the role that Amnesty International – a then struggling outfit employing a new, inventive form of human rights activism – played in campaigning against conscription in Australia during the 1960s. While a collective politics of mutual solidarity and democratic citizenship predominated in was dubbed the ‘draft resistance’ movement, Australian Amnesty members worked to have Conscientious Objectors recognised as ‘Prisoners of Conscience’ and adopted by groups around the world.

Founded in London in 1961, Amnesty struggled in its early years to stay afloat. By 1966, “The organization’s credibility was severely damaged by publicity surrounding its links to the British government and strife among the leadership”, as Jan Eckel puts it, and such problems were reflected in Australia.[2] Amnesty’s arrival in Australia was ad hoc: from 1964 onwards groups began emerging in different states, mainly New South Wales (NSW) and Victoria, which meant that Australia stood out as the only country without a national Amnesty section, but rather multiple State-based groups each struggling with finances and small membership.

I will argue that relating to the draft resistance movement actually posed many problems for Amnesty members. While for some a clear-cut violation of the Universal Declaration of Human Rights (UDHR), Australia’s two key State sections – NSW and Victoria – came to widely divergent interpretations of what constituted a prisoner of conscience, and what duties citizens had to the State: debates which made their way to the organisation’s centre in Europe. These illustrate how human rights had far from settled meanings in the 1960s, even for their adherents, and point towards the importance of local actors in understanding intellectual history.

Australia (re)introduced conscription for overseas service in 1964, with the conservative Coalition government fearful of a threatening Asia.[3] Troops, including conscripts, were committed to the growing conflict in Vietnam a year later. While initially popular, opposition to conscription began growing from 1966 when Sydney schoolteacher William ‘Bill’ White was jailed after his claim for conscientious objector status was rejected. White and other objectors were not “conscientiously” opposed to war in general, but held what the responsible minister labelled a “political” opposition to the Vietnam War, and as such did not meet strict legal guidelines.[4]

Bringing those believed to be ‘prisoners of conscience’ to light initially united both the New South Wale and Victorian sections. The Victorian section released a statement in support of White’s actions: “we feel it impossible…to doubt the sincerity of his convictions and are gravely concerned at the prospect of his continued detention under the provisions of military law”. Given “the grounds for an appeal to the Government on White’s behalf based on the sanctity of the individual conscience are substantial”, the section recommended White’s case to AI’s London office “for appropriate action”.[5]

The New South Wales section expressed near identical sentiments, reporting in August 1966 that “Conscription had been the overriding issue in much of our new work”, pointing to its transnational nature, with the section collecting material on Australian cases while campaigning for the release of conscientious objectors in the USA and East Germany: “the predicament of Bill White is shared by young men all over the world”.[6] White’s public statement of conscientious objection, reproduced in the NSW section’s newsletter, spoke of rights as “unalterable” and inhering in a person rather than being a “concession given by a government”, and as such these were “not something which the government has the right to take”.[7]

White’s release in December 1966 came before AI could adopt his cause internationally, but more objectors soon followed. What became problematic, however, was when the politics of conscientious objection moved to one of downright refusal – non-compliance with the laws of the land. Unlike White, part time postman John Zarb did not seek conscientious objector status but refused to register for military service altogether. His October 1968 jailing saw “Free Zarb” became a rallying cry for the anti-war movement: it was seen as representing the futility and double standards synonymous with the Vietnam War. As one activist leaflet put it: “In Australia – it is a crime not to kill”.[8] AI NSW section member Robert V Horn described in a long memorandum to London, written in late 1968 and sent after internal discussion some six months later, how “Conscription and Vietnam have become inter-mixed in public debate, and in contemporary style outbursts of demonstrations, protest marches, draft card burnings [and] sit-ins”.[9]

Zarb’s case was however nowhere near as clear cut for Amnesty members as White’s had been. Horn described that while “one might guess that many [AI] members are opposed to Australia’s participation in the Vietnam War” these individuals held “many shades of views”, particularly around the acceptability of law breaking.[10] Horn circulated a draft report on the situation in Australia that he had prepared for AI’s London headquarters to other AI members within his section and in Victoria, reactions to which demonstrate just how divisive the issue of conscientious objectors and non-compliers was for an organisation deeply wedded to due legal process. David McKenna, in charge of the Victorian section’s conscientious objection work, put this distinction quite clearly – arguing that those who “register for national service and apply for exemption”, but whose “applications fail either through some apparent miscarriage of justice or because the law does not presently encompass their objections…are prima facie eligible for adoption” as prisoners of conscience.[11]

However, those who “basically refuse to co-operate with the National Service Act” merely “maintain a right to disobey a law which they believe to be immoral”—and as such were not a concern for AI. McKenna here makes use of a similar typology as the Minister for National Service, casting refusal as a “purely political stand” as opposed to those who hold a “moral objection to conscription” and pursue this through the legal system. McKenna brought to his defence the UDHR, noting that in article 29/2 “freedom of conscience is not an absolute, nor is freedom to disobey in a democratic society”.[12] Concerns were raised about “to what extent we uphold disobedience to the law by adopting such persons”, noting that AI had chosen not to adopt prisoners “who refuse obedience to laws [such as] in South Africa or Portugal”, referencing recent debates regarding the adoption of prisoners who had advocated violence. Taking on prisoners who refused to obey laws not only opened the road to similar “freedom to disobey” claims – “are we to adopt people wo refuse to have a T.B. X Ray on grounds of conscience” – but McKenna also feared that in taking “such a radical step…our high repute would be seriously damaged”.[13]

Horn and others in the NSW section “decr[ied] such legalistic interpretation” – “the Non-Complier in gaol for conscientiously held and non-violently expressed views suffers no less than the [Conscientious Objector] who has tried in vain to act ‘according to the law”.[14] While at first divisions on this issue were across and between sections, by late 1969 the Victorian section had solidly decided “that non-compliers should not be adopted”, and sent a memorandum to London to this effect in preparation for the 1970 AI Executive Meeting, to be held in Stockholm.[15] The position of the NSW section was equally clear, expressed in a resolution adopted during ‘prisoner of conscience week’ in November 1969 requesting Amnesty and the UN General Assembly adopt “firm restrains upon legal and political repression of conscience”. “[T]he expression of honest opinions regarding matters of economics, politics, morality, religion or race is not a good and sufficient reason” to justify imprisonment of a person, the Section petitioned, and “no person should be penalised for refusing to obey a law…which infringes the principles here set forth”.[16] The Stockholm gathering backed the NSW Sections views, with the Victorian Section wondering whether this geographical placement and the strength of the Swedish Section – “who have the same problem as Australia and have come to the opposite view” – swayed results.[17]

This small case study provides insights into how the idea of human rights has been contested over time. Australia’s two Amnesty Sections – not amalgamated until the late 1970s – developed polar opposite views around the veracity of law breakers as beneficiaries of Amnesty’s human rights activism. This arguably came down to a fundamental opposition in how both groups conceptualised human rights – as global and inhering in the person, as such not requiring compliance with laws of the Nation State – or as the product and result of citizenship, which gave rights and imposed duties onto a subject. The AI Executive Council’s decision to stand on the side of the individual’s inalienable rights also provides a pre-history of how human rights moved from its 1960s meanings –, best exemplified by the 1968 Tehran Declaration’s deep wedding to the State – to a ‘rebirth’ in the 1970s as a global set of enforceable norms against states – a history that can be fruitfully explored at both the global and local levels.

Jon Piccini is a Postdoctoral Development Fellow at the University of Queensland, where he is working on a book provisionally titled Human Rights: An Australian History. His most recent book, Transnational Protest, Australia and the 1960s, appeared in 2016 with Palgrave. 

 

[1] Samuel Moyn, The Last Utopia: Human Rights in History (Harvard, Mass: Harvard University Press, 2010), 43.

[2]  Jan Eckel, “The International League for the Rights of Man, Amnesty International, and the Changing Fate of Human Rights Activism from the 1940s through the 1970s”, Humanity 4, No. 2 (Spring 2013), 183.

[3] Australia’s main two main conservative forces, the Liberal party and what was in the 1960s the Country party, but is now known as the National party, operate as a coalition in federal elections.

[4] Leslie Bury MP to Lincoln Oppenheimer, 31 March 1966, reproduced in Amnesty News 21 (May 1969), 3-4.

[5] “Statement from the Victorian Section of Amnesty International. Bill White Case”, Amnesty Bulletin 16 (November 1966).

[6] Lincoln Oppenheimer, “President’s Report”, Amnesty News 10 (August 1966), 3.

[7] “Copy of Statement by Mr W. White, Sydney Schoolteacher and Conscientious Objector”, Amnesty News 10 (August 1966), 2-3.

[8] “Australia’s Political Prisoner”, Undated leaflet, State Library of South Australia.

[9] Robert V Horn, Untitled Report on conscientious objection and noncompliance in Australia, Robert V Horn Papers, MLMSS 8123, Box 33, SLNSW.

[10] Ibid.

[11] David McKenna to Robert V Horn, 2 March 1969, Robert V Horn Papers, MLMSS 8123, Box 33, SLNSW

[12] Ibid.

[13] Ibid.

[14] Horn, Untitled Report.

[15] David McKenna to Robert V Horn, 19 February 1970, Robert V Horn Papers, MLMSS 8123, Box 33, SLNSW

[16] “RESOLUTION – Prisoner of Conscience Week, November 1969”, Amnesty News 24 (February 1970), 15-16.

[17] “International Council”, Amnesty Bulletin 28 (October 1970), 4-5.

Categories
What We're Reading

What We’re Reading: Week of May 5th

Here are a few interesting articles and pieces we found around the web this week. If you come across something that other intellectual historians might enjoy, please let us know in the comments section.

 

Derek:

Jason Delisle, “The Disinvestment Hypothesis” (Brookings)

Hal Brands, “Why Scholars and Policymakers Disagree” (The American Interest)

Sarah Jaffe, “The Unexpected Afterlife of American Communism” (New York Times)

Josephine Livingstone, “Wonder Woman is Propaganda” (New Republic)_

 

Spencer:

Nadia Khomami, “Unseen Edith Wharton Play Found Hidden in Texas Archive” (Guardian)

Andrew Kahn, “Pushkin for President” (TLS)

Adam Kirsch, “Ironists of a vanished empire” (NYRB)

 

Cynthia:

Claire Barliant, “The Hanging at Mankoto” (Triple Canopy)

Susanne von Faulkenhausen, “Get Real” (Frieze)

Catherine Damman, “See Change: The Sublime Artistry of Trish Brown” (bookforum)

Amelia Gray, “Reading Isadora Duncan’s Autobiography” (The Paris Review)

 

Eric:

Rebecca Fishbein, “A Brief History of The Strand” (Gothamist)

Joe Kanon, “There is no better place to write than the library” (Literary Hub)

Linsey McGoey, entretien par Marc-Olivier Déplaude & Nicolas Larchet, “Les dessous de la philanthropie” (Vie des idées)

Chris Ware, “Saul Steinberg’s View of the World” (NYRB)

 

Sarah:

Jerry Bannister, “How To Finish Your Thesis,” (Early Canadian History)

Katie Dobbs, “Though this be madness: Orange-Sannyas in Fremantle,” (overland)

Shane Greentree, “Catherine Macauley and the “Equal Eye” of Compassion,” (AWHN)

Sam Metz, “Édouard Louis’s Novel of the French Working Class,” (New Republic)

James Wood, “Cramming for Success,” (LRB)

Categories
Intellectual history What We're Reading

What We’re Reading: Week of May 29th

Here are a few interesting articles and pieces we found around the web this week. If you come across something that other intellectual historians might enjoy, please let us know in the comments section.

 

Emily:

CFP! Past and Present: Narratives of Progress and Decline in Nineteenth-Century Britain (19 March 2018, Christ Church, Oxford)

Eleanor Parker, “Ascension Day and the Death of Bede” and “‘Highest of All Kings’” (Clerk of Oxford)

Linda Colley, “What Gets Called ‘Civil War’?” (NYRB)

Cath Feely, “Securing an academic career: past and present” (University History)

Renata Colwell, “Dance! Dance! Dance! Youth Culture and Courtship at Queen’s University, 1910-1930” (Notches)

Bruce Headlam, “US Veterans Use Greek Tragedy to Tell Us About War” (NYT)

And these are my last links, after 3.5 years of co-editing JHIBlog. Thank you to all our readers and my wonderful colleagues for everything!

 

Sarah:

David Armitage, “The Atlantic Ocean,” (Harvard Scholar Files)

Loren Balhorn interviewed by Selim Nadi, “Die Linke’s Identity Crisis,” (Jacobin)

Dan Dixon, “‘Just a Person’: Race and the Australian literati,” (overland)

Elaine Mokhtefi, “Panthers in Algiers,” (LRB)

Brent Staples, “How the Swastika Became a Confederate Flag,” (NYTimes)

 

Cynthia:

Derek Walcott, “5 Poems from Morning, Paramin” (Specimen)

Matthew Sperling, “When Derek Walcott Met Peter Doig” (Apollo)

(Derek Walcott’s Morning, Paramin offers poetry as both lyric address and art criticism. Though some will think of Mark Strand, who also tackled the task of exegesis and criticism in his poetry, in many ways Walcott’s poems evoke the Renaissance tradition. Think of Titian and Aretino-poetry as the instantiation of creative friendship.)

Thomas S. Hines, “Rite of Spring: Frank Gehry and the Walt Disney Concert Hall” (The Iris)

Mimi Zeiger, “Flyover Utopia: On Keith Krumwiede’s “Atlas of Another America” (LARB)

(I am a California girl and my upbringing has made me uncomfortably familiar with the architecture of suburbia — tract homes, gated communities, McMansions. Krumwiede draws upon these forms to create his incredibly strange utopian vision. Zeiger describes it as an “agrarian-minded ‘Twenty-first century settlement scheme for the American Nation.’” I couldn’t resist pairing Zeiger’s review of Krumwiede’s “Freedomland” with architectural historian Tom Hines’s account of Frank Gehry’s Disney Hall came to be. Money, boosterism, and real estate–all contained under the rubric of culture. A classic LA story if there ever was one. But also a classic American one, where land and space are made to speak for the civic values–and virtues–that contain us all.)

 

Disha:

Daniel McDermon, “An Artist and Her Beautiful Boy” (The New York Times)

Claire Colebrook, “End Times for Humanity” (Aeon)

Demi Adejuyigbe, “The Four Horsemen of the Internet” (The New Yorker)

Michael Ralph, “The Price of Life: From Slavery to Corporate Life Insurance” (Dissent)

Decca Aitkenhead, “Fiction takes its time: Arundhati Roy on why it took her 20 years to write her second novel” (The Guardian)

 

Spence:

Sunaura Taylor, “On Ableism and Animals” (The New Inquiry)

Tobi Haslett, “The Feuds of Diana Trilling,” (New Yorker)

John Merriman, “‘And My Frigidaire is Here!’: Gender and Family Life in Postwar France” (LARB)

Tony Wood, “Labor Days” (Cabinet)

 

Categories
Think Piece

“He shall not haue so much as a buske-point from thee”: Examining notions of Gender through the lens of Material Culture

by guest contributor Sarah Bendall

Our everyday lives are surrounded by objects. Some are mundane tools that help us with daily tasks, others are sentimental items that carry emotions and memories, and others again are used to display achievements, wealth and social status. Importantly, many of these objects are gendered and their continued use in various different ways helps to mould and solidify ideas, particularly, gender norms.

In the early modern period two objects of dress that shaped and reinforced gender norms were the busk, a long piece of wood, metal, whalebone or horn that was placed into a channel in the front of the bodies or stays (corsets), and the busk-point, a small piece of ribbon that secured the busk in place. During the sixteenth and seventeenth centuries these accessories to female dress helped to not only shape expressions of love and sexual desire, but also shaped the acceptable gendered boundaries of those expressions.

Busks were practical objects that existed to keep the female posture erect, to emphasize the fullness of the breasts and to keep the stomach flat. These uses were derived from their function in European court dress that complimented elite ideas of femininity; most notably good breeding that was reflected in an upright posture and controlled bodily movement. However, during the seventeenth century, and increasingly over eighteenth and nineteenth centuries, lovers not only charged busks and busk-points with erotic connotations but also saw them as tokens of affection. Thus, they became part of the complex social and gendered performance of courtship and marriage.

The sheer number of surviving busks that contain inscriptions associated with love indicate that busk giving during courtship must have been a normal and commonly practised act in early modern England and France. A surviving English wooden busk in the Victoria and Albert Museum contains symbolic engravings, the date of gifting, 1675, and a Biblical reference. On the other side of the busk is an inscription referencing the Biblical Isaac’s love for his wife, which reads: “WONC A QVSHON I WAS ASKED WHICH MAD ME RETVRN THESE ANSVRS THAT ISAAC LOVFED RABEKAH HIS WIFE AND WHY MAY NOT I LOVE FRANSYS”.

thumbnail_2006AE3205

‘English wooden Stay Busk, c.1675, Victoria and Albert Museum, London. Accession number W.56-1929’

Another inscription on one seventeenth-century French busk exclaims “Until Goodbye, My Fire is Pure, Love is United”. Three engravings correspond with each line: a tear falling onto a barren field, two hearts appearing in that field and finally a house that the couple would share together in marriage with two hearts floating above it.

Inscriptions found on other surviving busks go beyond speaking on behalf of the lover, and actually speak on behalf of busks themselves, giving these inanimate objects voices of their own. Another seventeenth-century French busk, engraved with a man’s portrait declares:

“He enjoys sweet sighs, this lover

Who would very much like to take my place”

This inscription shows the busk’s anthropomorphized awareness of the prized place that it held so close to the female body. John Marston’s The scourge of villanie Three bookes of satyres (1598, p. F6r-v) expressed similar sentiments with the character Saturio wishing himself his lover’s busk so that he “might sweetly lie, and softly luske Betweene her pappes, then must he haue an eye At eyther end, that freely might discry Both hills [breasts] and dales [groin].”

Although the busk’s intimate association with the female body was exploited in both erotic literature and bawdy jokes, the busk itself also took on phallic connotations. The narrator of Alexander Pope’s Rape of the Lock (1712, p. 12) describes the Baron with an ‘altar’ built by love. On this altar “lay the Sword-knot Sylvia‘s Hands had sown, With Flavia‘s Busk that oft had rapp’d his own …”  Here “His own [busk]” evokes his erection that Flavia’s busk had often brushed against during their love making. Therefore, in the context of gift giving the busk also acted as an extension of the male lover: it was an expression of his male sexual desire in its most powerful and virile form that was then worn privately on the female body. Early modern masculinity was a competitive performance and in a society where social structure and stability centred on the patriarchal household, young men found courtship possibly one of the most important events of their life – one which tested their character and their masculine ability to woo and marry. In this context, the act of giving a busk was a masculine act, which asserted not only a young man’s prowess, but his ability to secure a respectable place in society with a household.

Yet the inscriptions on surviving busks and literary sources that describe them often to do not account for the female experience of courtship and marriage. Although women usually took on the submissive role in gift giving, being the recipient of love tokens such as busks did not render them completely passive. Courtship encouraged female responses as it created a discursive space in which women were free to express themselves. Women could choose to accept or reject a potential suitor’s gift, giving her significant agency in the process of courtship. Within the gift-giving framework choosing to place a masculine sexual token so close to her body also led to a very intimate female gesture. Yet a woman’s desire for a male suitor could also take on much more active expressions as various sources describe women giving men their busk-points. When the character Jane in Thomas Dekker’s The Shoemaker’s Holiday (1600) discovers that the husband she thought dead is still alive, she abandons her new beau who tells her that “he [her old husband] shall not haue so much as a buske-point from thee”, alluding to women’s habit of giving busk-points as signs of affection and promise. John Marston’s The Malcontent (1603) describes a similar situation when the Maquerelle warns her ladies “look to your busk-points, if not chastely, yet charily: be sure the door be bolted.” In effect she is warning these girls to keep their doors shut and not give their busk-points away to lovers as keepsakes.

To some, the expression of female sexual desire by such means seems oddly out of place in a society where strict cultural and social practices policed women’s agency. Indeed, discussions of busks and busk-points provoked a rich dialogue concerning femininity and gender in early modern England. Throughout the sixteenth and seventeenth centuries, bodies (corsets) elongated the torso, until the part of the bodie that contained the busk reached to the lady’s “Honor” (Randle Holme, The Academy of Armory and Blazon…., p. 94)[1] In other words, the lowest part of the busk which contained the ‘busk-point’ sat over a woman’s sexual organs where chastity determined her honour. The politics involved in female honour and busk-points are expressed in the previously discussed scene from The Malcontent: busk-points functioned as both gifts and sexual tokens and this is highlighted by the Maquerelle’s pleas for the girls to look to them ‘chastely’.

As a result of the intimate position of the busk and busk-point on the female body these objects were frequently discussed in relation to women’s sexuality and their sexual honour. Some moralising commentaries blamed busks for concealing illegitimate pregnancies and causing abortions. Others associated busks with prostitutes, and rendered them a key part of the profession’s contraceptive arsenal. Yet much popular literature and the inscriptions on the busks themselves rarely depict those women who wore them as ‘whores’. Instead these conflicting ideas of the busk and busk-points found in sources from this period in fact mirror the contradictory ideas and fears that early moderns held about women’s sexuality. When used in a sexual context outside of marriage these objects were controversial as they were perceived as aiding unmarried women’s unacceptable forward expressions of sexual desire. However, receiving busks and giving away busk-points in the context of courtship and marriage was an acceptable way for a woman to express her desire precisely because it occurred in a context that society and social norms could regulate, and this desire would eventually be consummated within the acceptable confines of marriage.

Busks and busk-points are just two examples of the ways in which the examination of material culture can help the historian to tap into historical ideas of femininity and masculinity, and the ways in which notions of gender were imbued in, circulated and expressed through the use of objects in everyday life in early modern Europe. Although controversial at times, busk and busk-points were items of clothing that aided widely accepted expressions of male and female sexual desire through the acts of giving, receiving and wearing. Ultimately, discussions of these objects and their varied meanings highlight not only the ways in which sexuality occupied a precarious space in early modern England, but how material culture such as clothing was an essential part of regulating gender norms.
[1] Holme, The Academy of Armory and Blazon, p. 3.

Sarah A. Bendall is a PhD candidate in the Department of History at the University of Sydney. Her dissertation examines the materiality, consumption and discourses generated around stiffened female undergarments – bodies, busks, farthingales and bum rolls – to explore how these items of material culture shaped notions of femininity in England between 1560-1690. A longer article-length version of this blog post has appeared in the Journal of Gender & History and Sarah also maintains her own blog were she writes about the process of historical dress reconstruction.