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THE MODERN SCENE TESTIFIES: GILBERT CHINARD AND THE HUMANITIES IN WARTIME

by guest contributor Benjamin Bernard

Editors’ Note: given the summer holidays, for the month of August JHIBlog will publish one piece a week, together with our regular What We’re Reading feature on Fridays. 

The mood was grim when literary historian Gilbert Chinard delivered one of five Trask Lectures at Princeton University. With sentiments similar to much of the hand-wringing of today, his colleague, philosopher Theodore Meyer Greene explained: “the whole world is drifting or being driven with ever greater acceleration into a state profoundly antagonistic to the values which the humanist method most sincerely cherishes.” Greene warned that this was due in part to “the deliberate activities of certain individuals and groups whose ideologies are monopolistic and totalitarian and who, in one way or another, have acquired autocratic power in our society.” Prefacing the edited collection of these lectures, Greene insisted that such men had “succeeded in arousing in their supporters a passionate and uncritical devotion to a ‘common’ cause. The modern scene testifies with tragic eloquence to the immediate effectiveness of this anti-humanistic strategy.”

That spring, Hitler annexed Austria.

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Gilbert Chinard (https://www.societyforfrenchhistoricalstudies.net/gilbert-chinard)

Gilbert Chinard’s own transatlantic trajectory—born in France, he spent his career in America—mirrors the content of his scholarly work in a field he dubbed “Franco-American relations.” In what we might today recognize as an amalgam of literature, history, and international relations, he studied flows of ideas across space and time; but, alongside European intellectuals like his Mercer Street neighbor Albert Einstein, he also participated in a migration of his own. Upon Chinard’s hiring in 1937, after nearly two decades in America, The Daily Princetonian remarked on his “Franco-American accent.”

After the attack on Pearl Harbor, Princeton bustled with martial activity. Some students and even faculty advocated that professors teach technical skills like engineering and military tactics in order to better prepare student-officers for war. Walter “Buzzer” Phelps Hall, the popular Dodge Professor of History and expert on Britain, advocated this position in The Daily Princetonian: “The war will not be won by propaganda; no wars are,” he wrote. History could only help “to a minor degree” in a war; he lamented that “those of us on the Faculty untrained in science and too old to act” were relegated to “guarding the treasured culture of the past.” The university surveyed professors in other departments to determine what war-related courses they might be qualified to teach. Many undergraduates opted for technical studies electives, like Professor Kissam’s popular aerial photogrammetry course, over humanities ones. Chinard’s department, Modern Languages, made a minor capitulation in order to resist more extreme changes. Around 1941-42, Princeton added a vocational French class that, even if only a summer crash course, was unprecedented. It taught a skill needed to prepare students for possible deployment to Europe: French conversation.

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Princeton in wartime. Princeton University Historical Photograph Collection, Campus Life Series (AC112), Box MP208, Image No. 5496. From the Mudd Manuscript Library Blog.

Not all faculty and students, though, agreed with such changes. Chinard defended arts and letters on surprising grounds: their utility. He took to the pages of the campus newspaper on February 2, 1942 to respond to Buzzer Hall, to defend the humanities against practical pre-military courses. He argued that Americans needed critique in order to combat propaganda; without such skills, America could collapse just as France had. “Men can be well shod, clad and fed,” he wrote, but “unless they can analyze and disbelieve, in a crisis, rumors spreading like grass fire, unless they have developed what I would call a healthy Missourian attitude, they will rapidly change a partial setback into a total rout.” Old frontier skepticism serves here as a foil for a passive French imagination occupied by German political ideology. Rather than memorizing facts about the past, students should adopt a critical posture. Than the sword, he might have said, the typewriter is mightier. With wry understatement, he noted, “When Hitler’s mind seems to be obsessed by the memory of Napoleon, it may not be entirely out of time and out of place for the men who fight Hitlerism to know something about the French emperor.” Chinard’s colleague Americo Castro supported him, invoking a conceptual framework central to Chinard’s writings. “The war happens to be between two forms of civilization,” he wrote, “and people are going to kill or to be killed because they are fighting on behalf of a certain form of civilization. I do not think that there is any other place to learn what a civilization is except a school of Humanities.”

Chinard understood the process of humanist scholarship, “traditional” French culture, and the war itself via a common metaphor: as the slow accumulation and rarefication of virtue over time, leaving a stable precipitate. In 1940, Chinard had received a form letter questionnaire from Rene Taupin, secretary of La France en Liberté, a new quarterly of French refugee writers whose advisory board included Princeton’s Christian Gauss as well as Albert Einstein, Ernest Hemingway, and William Carlos Williams. Taupin asked: “Do you think that French culture can live under a Totalitarian regime?” Chinard replied in French on October 15, 1940, and took care to preserve a copy of his outgoing message:

Yes, without any doubt. All of history is there to prove to us that in a country with an old civilization, political vicissitudes cannot in any fundamental way affect the culture of the country. A political regime can snuff out a culture being born, or can prevent a still barbarous country from developing; it can make the superstructure disappear, or constitute an obstacle to the expression of certain ideologies. But what Louis XIV, the Jacobins, Napoleon I, and the none-too-liberal December 2 government all failed to do cannot be accomplished by repressive measures which, moreover, can only be temporary (Gilbert Chinard Papers [C0671], Box 12, Princeton University Library).

In Scènes de la vie française, his French culture reader for intermediate university classes, Chinard described his fictionalized, composite hometown in similar terms: “[My village today] represents the continuous effort of successive generations, tweaking themselves according to the era, but who always retained their essential traits.” Yet, turn Chinard’s historical tapestry upside down and it would tell a different, yet still intelligible, story: those same high-water marks of French culture—resistance to the baroque court, to the Revolutionary tribunal, and so forth—that Chinard interpreted as evidence for a liberal tradition could instead argue for an ancient French tradition of concentrated authoritarian power.

In light of this contradiction, I suggest that this intellectual and rhetorical position was fundamentally political. Chinard sought to understand this culture, how it developed, and how it interacted with American culture. His essay in the inaugural issue of the journal he co-founded, the Journal of the History of Ideas, serves as a useful exemplar for approaching the history of ideas in this political context. Social media-adept readers may recognize Chinard’s article from JHIBlog‘s Facebook cover photo. In “Polybius and the American Constitution,” he argued that while scholars rightly apprehended an intellectual link between French Enlightenment thinkers like Montesquieu and scholar-politicians like Thomas Jefferson, too little attention had been paid to the fact that the ideas thus transmitted originated in classical antiquity, for which Polybius and the notion of the separation of powers served as a convenient synecdoche. Chinard hoped that studying literature through the framework of the history of ideas could help make the case that, rather than the “dilettantism” of “mere questions of form… the framework of literary works… [or] the noxious and convenient divisions into genres,” studying literature could provide important raw material for understanding “the larger body of human intellectual activities.” His article underscores a particular vision of a politico-cultural heritage—in other words, a definition for true France, a concept over which French intellectuals with political clout sparred from exile in New York.

Bernard piece, France Forever membership card
Chinard’s France Forever membership card

The war reached him in many more ways, even in the relative haven of verdant suburban New Jersey. Chinard sounds indignant but matter-of-fact in his letters that allude these years. He resigned himself to never again seeing his in-laws: the Blanchard family remained in occupied territory. It would take him years to recover and renovate his country house in Châtellerault, where he had previously taken his family each summer. Although he did support the American Field Service and help find job placements for some French expatriate academics, these were not the primary target of his energies. He did engage in lecturing for elite east coast audiences and mobilized his political expertise to advise non-governmental advocacy groups like France Forever, a New York-based Gaullist organization presided over by industrial engineer Eugène Houdry.

Chinard seemed more troubled by broad political changes than by humanitarian concerns of refugee subsistence. Most distressing was the perception that an international disregard for Western values enabled authoritarian powers to trample on endogenous liberties. In one characteristic letter, he opined: “The Vichy government has allowed neither any journalist nor any neutral investigator to make a thorough investigation of the situation.” His disdain for Communism, organized labor, and a new, insular coterie of “depressives” coming to be known as “existentialists” is palpable. Instead, he located true Frenchness, in his advocacy for De Gaulle just as in his scholarship, in a particular constellation of ideas.

During the war, Chinard had the chance to implement his earlier writings about humanism’s instrumentality, which nonetheless met certain limits. As far as I know, Chinard never published an op-ed explaining how the reception of the image of Napoleon contained the key for defeating masculine authoritarianism. Yet I suspect Chinard’s pre-war sentiments about the value of studying the humanities, from his Trask Lecture of 1937-38, did not change much: that training in the “careful analysis of the elusive meaning of words… is an absolute necessity in a democracy.” Chinard’s individual influence is difficult to assess. What is clear, however, is that he contributed to a postwar liberal discourse that relied on a narrative of an ancient and Revolutionary political heritage. Wartime resistance and academic life found common cause under this banner.

A strategic dilemma for intellectuals emerges out of considering this historical moment. What if, by pursuing sweeping research into phenomena that we might take decades or centuries to influence, scholars inadvertently neglect present-day politics such that anti-humanist forces destroy the very institutions that enable their work? Theodore Greene remained at once resigned and optimistic on this point.

[Humanists] cannot, however, hope for immediate or spectacular success; they cannot avert a sudden social cataclysm, if that is the fate presently in store for us…. Now, as ever, our chief concern must be not the changing scene or the passing crisis but rather the nature of the human spirit in its eternal quest for enduring values.

For Chinard, at least, these words fell short of the role he would eventually play. He struck a balance between pursuing an ambitious intellectual research agenda and speaking to the urgent political issues of his day, engaging in work on multiple time scales.

Benjamin Bernard is a Ph.D candidate in the History Department at Princeton University, where he studies early modern European history. His dissertation investigates moral reform in France circa 1700. Elements of this research were first presented at the “So Well Remembered” conference organized by Neil Safier at the John Carter Brown Library in April 2017. All translations are the author’s.

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How the Nineteenth Century Misplaced the Samaritans

by guest contributor Matthew Chalmers

“Are the Samaritans worth a volume of 360 pages?” Thus pondered an anonymous reviewer of James A. Montgomery’s The Samaritans: The Earliest Jewish Sect (1907).  Today, specialists in Samaritan Studies are still arguing that they deserve broader attention—most recently in Reinhard Pummer’s 2016 survey of Samaritan history. Despite the low profile of Samaritans when compared to “world religions” like Judaism, Christianity, Islam, and Buddhism, they are an intriguing case: a Torah-observant group tracing their origins, like Jews and Christians, to ancient Israel, but worshiping God on Mount Gerizim near Biblical Shechem rather than in Jerusalem. Travelling back in time we see that our gloomy anonymous reviewer stood at the end of another arc in European scholarship, at the beginning of which Samaritans had provoked curiosity from an antiquarian as prestigious as Joseph Scaliger (1540-1609).

London Polyglot, 1657 f. 228-229_Credit_Fisher Rare Books Library

How did Samaritans go from being sought after by some of the most influential early modern intellectuals to being the afterthought of an early twentieth-century scholar? The answer tells us something about how ideas gain and lose academic worth. What does it mean for a scholarly project to be valued—and how can change in that valuation reveal or occlude possibilities for writing history with our archives? To answer that question it is instructive to begin by looking to what intrigued scholars about Samaritans in the early modern period.

Portrait of Josephus Justus Scaliger, by Jan Cornelisz, 1608_Credit_WikiCommons

In 1581, the famous Dutch antiquarian Joseph Scaliger confronted a problem of chronology. He knew, like the medieval and late antique chronographers before him, that the genealogies in the Samaritan Pentateuch’s version of Genesis reported the chronology of the biblical patriarchs  differently from the Masoretic text used by Jews. He also grew intrigued by Samaritan Hebrew’s preservation of characters more similar to the ancient Hebrew alphabet—the alphabet he thought they shared with the Phoenicians—rather than the square script of contemporary Jews. What if the remaining Samaritan communities preserved undiscovered manuscripts capable of upending the standard view of ancient Israel, just as their chronology sometimes contradicted that of ancient Jews?

Scaliger asked his contact Claude Dupuy to write to their friend Gian Vincenzo Pinelli to ask his Jewish contact in Constantinople to acquire a Samaritan calendar. When the Samaritans responded, sending him a calendar, he reached out directly to their communities in Cairo and Shechem. Unfortunately for Scaliger, the answers were lost in the wreck of the ship carrying them back to France, the St. Victor, and he died before their recovery. Fortunately for posterity, Nicolas-Claude Fabri de Peiresc (1580-1637), an antiquarian based near Marseilles, the home port of the St. Victor, managed to recover the responses. They contained—to Peiresc at least—a treasure-trove of information and curiosities. He then spent substantial time and attention trying to obtain Samaritan manuscripts. Subsequent generations of scholars shared his interest (as Peter Miller has explored).

Peiresc and Scaliger’s search for Samaritan secrets is partly explained by how post-Reformation battles between Christian scholars incentivised control over the biblical past and spurred debate about its variant versions. Mastery of Bible manuscripts served as a primary qualification of expertise within these scholarly contests. The Samaritan Pentateuch, as Scaliger had noticed, sometimes agreed with the Greek version of those five books over against the Masoretic text, and sometimes contradicted both. A Catholic scholar such as Jean Morin (1591-1659) could thus argue that the Samaritan Pentateuch proved Protestant appeals to a pure Hebrew original were a basic mistake. Moreover, emphasizing the skills of manuscript study permitted well-connected scholars to emphasize mastery over the Bible with their superior access to the manuscripts perceived to embody the history of a text. The Samaritan Pentateuch, for this reason, found itself incorporated into two Polyglots (Paris 1628-45; London 1657). These prestigious and expensive collaborative projects printed multiple versions of the biblical text side-by-side, thus displaying the expertise of the editors while also undermining the appeal to any one ancient version (tacit: the Hebrew). For more than a century, then, the Samaritans—whilst never gaining the degree of attention granted to the great ancient civilizations of Greece, Rome, Egypt, and Israel—mattered.   

How, then, did Samaritans go from this relative prominence to almost total neglect at the turn of the twentieth century? As Arnaldo Momigliano has demonstrated, antiquarianism, and its fractal approach to the historical past, never really went away. Nor did the attachment of scholarship to Christian goals. But the world of learning had been reconfigured. Research into Samaritans, for instance, calls for some expertise in Hebrew and Arabic as well as the languages of Mediterranean antiquity. This antiquarian combination jarred with the philological segmenting of the nineteenth-century university (except for German Jewish scholars who, as Susannah Heschel has tracked in her research on Abraham Geiger, were increasingly excluded by anti-Judaism).

In the nineteenth and twentieth century, moreover, antiquarianism proved no match for political, national, and racial logic in incentivizing the selection of material for study. During the global expansion of European power, “religion” came to function in what David Chidester has called an “empire of religions.” Scholarly approaches framed religious history vis-à-vis tension between universal “civilization” and “the primitive” as a means to formulate universally applicable difference between European Christians and non-Europeans, between proper Christians and deviant Christians, or between European Christians, Jews, and Arabs. In turn, such intellectual practices encouraged methods best able to order taxonomies of knowledge according to progress towards a universal prototype embodied in an imagined “modern” or “Christian” Europe. The Samaritans, a small group which most commentators expected to disappear, whose historical appearances are intermittent enough to resist smooth narrativization, made too small a splash in a research space dominated by universals with all-encompassing scope.

Even the biblical basis for Samaritan prominence that drove the interest of scholars like Morin fell on hard times. Wilhelm Gesenius, one of the primary contributors to Semitic language pedagogy, had little patience for the potential priority of the Samaritan Pentateuch. His 1815 De Pentateuchi Samaritani origine, indole et auctoritate commentatio philologico-critica demonstrated to the satisfaction of most Bible scholars that the potential of the Samaritan text to witness an earlier version of the Hebrew Bible was a pipe dream. Similarly, his grammar—first published in 1813 but used even today as a pedagogical touchstone—dismisses Samaritans as a minor subset of north-west Semites, characterized by ethnic and linguistic mixture. In the first decades of the twentieth century scholars like Paul Kahle and Moses Gaster attempted to rehabilitate the Samaritan Pentateuch as worthy of scholars’ time. But it was too little to retain Samaritans within the Biblical Studies mainstream.

The publication of Samaritan texts continued, but contemporary scholars increasingly criticized those publications as amateurish. Thus, Samaritan literature fell prey to a double attack: on the one hand, published in editions slated for their poor quality, plagiarism, and lack of professional attention; on the other, attacked by academics whose choice of research topics had judged Samaritan Hebrew too insignificant to receive more expert attention. A savage review in the 1902 Journal of Near Eastern Studies of an enthusiast’s attempt to provide a Samaritan grammar embodied both ways of thinking. “Our universities do not maintain professorial chairs for Samaritan,” the author wrote, “and not one of the many widely advertised series of world-literature extracts contains a single citation from Samaritan literature. The world has judged rightly. There is nothing in this literature to tempt anything higher than an antiquarian…”.

Samaritan priest with Torah scrolls_Credit_thesamaritanupdate.com

Since this early twentieth-century nadir, Samaritans have seen much more attention. The Societe d’Études Samaritains was founded in 1989, and has met semi-regularly ever since. Although much of the scholarship published in the burgeoning field of Samaritan Studies is in Hebrew or German, we now have a comparative critical edition of the Samaritan Pentateuch and the Masoretic text (reviewed here by Emanuel Tov) in English. Stefan Schorch, Abraham Tal, and others have worked hard to make core Samaritan documents accessible to European scholars (especially in De Gruyter’s Studia Samaritana series). An ongoing project at the University of Manchester currently headed by Katharina Keim examines Moses Gaster, whose archive includes hundreds of letters that he composed in Samaritan Hebrew. My own research examines the representation of Samaritans in Late Antiquity, modifying our histories of the period as one of religious polarization and using the Samaritans to render visible the selectivity of modern historians.  

So, what do we learn from this about how ideas gain or lose value over time? Samaritan Studies remains a very small field disconnected from disciplines with which it could share closer links such as Biblical Studies, Near Eastern Studies, Jewish Studies, Religious Studies, History. From the vantage point of Samaritan Studies we can perceive particularly sharply how the spectre of the nineteenth-century professionalization, nationalization, and universalization of academic research haunts contemporary frames of reference. In particular, we can see the power of habit in pre-selecting our areas of academic research, the questions we ask, and the sources that we use to answer them and how much the manufacturing of history relies on such habits of selectivity even with respect to a group who share much of the past of Christianity and Judaism. By noting such habits and looking past them, we can begin to fray the edges of the stories we have learned to tell—and render them more able to surprise us.

Matt Chalmers is a PhD candidate in Religious Studies at the University of Pennsylvania. His research focuses on the manufacture of identities through control of the past, and his dissertation explores often overlooked representations of Samaritans in late antique Christian and Jewish sources. He tweets with occasionally alarming regularity from @Matt_J_Chalmers.

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Humanist Pedagogy and New Media

by contributing editor Robby Koehler

Writing in the late 1560s, humanist scholar Roger Ascham found little to praise in the schoolmasters of early modern England.  In his educational treatise The Scholemaster, Asham portrays teachers as vicious, lazy, and arrogant.  But even worse than the inept and cruel masters were the textbooks, which, as Ascham described them, were created specifically to teach students improper Latin: “Two schoolmasters have set forth in print, either of them a book [of vulgaria] . . ., Horman and Whittington.  A child shall learn of the better of them, that, which another day, if he be wise, and come to judgement, he must be fain to unlearn again.”  What were these books exactly? And if they were so unfit for use in the classroom, then why did English schoolmasters still use them to teach students?  Did they enjoy watching students fail and leaving them educationally impoverished?

Actually, no. Then, as now, school teachers did not always make use of the most effective methods of instruction, but their choice to use the books compiled by Horman and Whittington was not based in a perverse reluctance to educate their students.  Ascham sets up a straw man here about the dismal state of Latin teaching in England to strengthen the appeal of his own pedagogical ideas.  As we will see, the books by Horman and Whittington, colloquially known as “vulgaria” or “vulgars” in schools of the early modern period, were a key part of an earlier Latin curriculum that was in the process of being displaced by the steady adoption of Humanist methods of Latin study and instruction and the spread of printed books across England.  Looking at these books, Ascham could see only the failed wreckage of a previous pedagogical logic, not the vital function such books had once served.  His lack of historical cognizance and wilful mischaracterization of previous pedagogical texts and practices are an early example of an argumentative strategy that has again become prevalent as the Internet and ubiquitous access to computers has led pundits to argue for the death of the book in schools and elsewhere.  Yet, as we will see, the problem is often not so much with books as much as with what students and teachers are meant to do with them.

“Vulgaria” were initially a simple solution to a complicated problem: how to help students learn to read and write Latin and English with the limited amount of paper or parchment available in most English schools.  According to literary scholar Chris Cannon, by the fifteenth century, many surviving notebooks throughout England record pages of paired English and Latin sentence translations.  It seems likely that students would receive a sentence in Latin, record it, and then work out how to translate it into English.  Once recorded, students held onto these notebooks as both evidence of their learning and as a kind of impromptu reference for future translations.  In the pre-print culture of learning, then, vulgaria were evidence of a learning process, the material embodiment of a student’s slow work of absorbing and understanding the mechanics of both writing and translation.

The advent of printing fundamentally transformed this pedagogical process.  Vulgaria were among the first books printed in England, and short 90-100 page vulgaria remained a staple of printed collections of Latin grammatical texts up to the 1530s.  Once in print, vulgaria ceased to be a material artifact of an educational process and now became an educational product for the use of students who were literate in either English or Latin to use while working on translations.  The culture of early modern English schools comes through vividly in these printed collections, often closing the distance between Tudor school rooms and our own.  For example, in the earliest printed vulgaria compiled by John Anwykyll, one can learn how to confess to a fellow student’s lackadaisical pursuit of study: “He studied never one of those things more than another.” Or a student might ask after a shouting match “Who made all of this trouble among you?”  Thus, in the early era of print, these books remained tools for learning Latin as a language of everyday life. It was Latin for school survival, not for scholarly prestige.

As Humanism took hold in England, vulgaria changed too, transforming from crib-books for beginning students to reference books for the use of students and masters, stuffed full of Humanist erudition and scholarship.  Humanist schoolmasters found the vulgaria a useful instrument for demonstrating their extensive reading and, occasionally, advancing their career prospects.  William Horman, an older schoolmaster and Fellow at Eton, published a 656 page vulgaria (about 5 times as long as the small texts for students) in 1519, offering it as a product of idle time that, in typical Humanist fashion, he published only at the insistence of his friends.  Yet, Horman’s book was still true to its roots in the school room, containing a melange of classical quotations alongside the traditional statements and longer dialogues between schoolmasters and students.

By the 1530s, most of the first wave of printed vulgaria went out of print, likely because they did not fit with the new Humanist insistence that the speaking and writing of Latin be more strictly based on classical models.  Vulgaria would have looked increasingly old-fashioned, and their function in helping students adapt to the day-to-day rigors of the Latinate schoolroom were likely lost in the effort to separate, elevate, and purify the Latin spoken and written by students and teachers alike.  Nothing more embodied this transformation that Nicholas Udall’s vulgaria Flowers for Latin Speaking (1533), which was made up exclusively of quotations from the playwright Terence, with each sentence annotated with the play, act, and scene from which the sentence was excerpted.

Loeb Facing Page Translation
Terence. Phormio, The Mother-In-Law, The Brothers. Ed. John Sargeaunt. Loeb Classical Library.  New York: G.P. Putnam’s Sons, 1920.  https://archive.org/details/L023NTerenceIIPhormioTheMotherInLawTheBrothers   

The vulgaria as printed crib-book passed out of use in the schoolroom after about 1540, so why was Ascham still so upset about their use in 1568 when he was writing The Schoolmaster?  By that time, Ascham could assume that many students had access to approved Humanist grammatical texts and a much wider variety of printed matter in Latin.  In a world that had much less difficulty gaining obtaining both print and paper, the vulgaria would seem a strange pedagogical choice indeed.  Ascham’s own proposed pedagogical practices assumed that students would have a printed copy of one or more classical authors and at least two  blank books for their English and Latin writing, respectively.  Whereas the vulgaria arose from a world of manuscript practice and a straitened economy of textual scarcity, Ascham’s own moment had been fundamentally transformed by the technology of print and the Humanist effort to recover, edit, and widely disseminate the works of classical authors.  Ascham could take for granted that students worked directly with printed classical texts and that they would make use of Humanist methods of commonplacing and grammatical analysis that themselves relied upon an ever-expanding array of print and manuscript materials and practices.  In this brave new world, the vulgaria and its role in manuscript and early print culture were alien holdovers of a bygone era.

Of course, Ascham’s criticism of the vulgaria is also typical of Humanist scholars, who often distanced themselves from their  predecessors and to assert importance and correctness of their own methods.  Ironically, this was exactly what William Horman was doing when he published his massive volume of vulgaria – exemplifying and monumentalizing his own erudition and study while also demonstrating the inadequacy of previous, much shorter efforts. Ascham’s rejection of vulgaria must be seen as part of the larger intergenerational Humanist pattern of disavowing and dismissing the work of predecessors who could safely be deemed inadequate to make way for one’s own contribution.  Ascham is peculiarly modern in this respect, arguing that introducing new methods of learning Latin can reform the institution of the school in toto.  One is put in mind of modern teachers who argue that the advent of the Internet or of some set of methods that the Internet enables will fundamentally transform the way education works.

In the end, the use of vulgaria was not any more related to the difficulties of life in the classroom or the culture of violence in early modern schools than any other specific pedagogical practice or object.  But, as I’ve suggested, Ascham’s claim that the problems of education can be attributed not to human agents but to the materials they employ is an argument that has persisted into the present.  In this sense, Ascham’s present-mindedness suggests the need to take care in evaluating seemingly irrelevant or superfluous pedagogical processes or materials.  Educational practices are neither ahistorical nor acontextual, they exist in institutional and individual time, and they bear the marks of both past and present exigencies in their deployment.  When we fail to recognize this, we, like Ascham, mischaracterize their past and present value and will likely misjudge how best to transform our educational institutions and practices to meet our own future needs.

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Reptiles, Amphibians, Herptiles, and other Creeping Things: Variations on a Taxonomic Theme

by Contributing Editor Spencer J. Weinreich

King Philip Came Over For Good Soup. Kingdom, Phylum, Class, Order, Family, Genus, Species. Few mnemonics can be as ubiquitous as the monarch whose dining habits have helped generations of biology students remember the levels of the taxonomic system. Though the progress of the field has introduced domains (above kingdoms), tribes (between family and genus) and a whole array of lesser taxons (subspecies, subgenus, and so on), the system remains central to identifying and thinking about organic life.

greenanaconda-001
Green anaconda (Eunectes murinus): a reptile, not an amphibian (photo credit: Smithsonian’s National Zoo)

Consider “reptiles.” Many a precocious young naturalist learns—and impresses upon their parents with zealous (sometimes exasperated) insistence—that snakes are not slimy. The snake is a reptile, not an amphibian, covered with scales rather than a porous skin. Reaching high school biology, this distinction takes on taxonomic authority: in the Linnaean system, reptiles and amphibians belong to separate classes (Reptilia and Amphibia, respectively). The division has much to recommend it, given the two groups’ considerable divergences in physiology, life-cycle, behavior, and genetics. But, like all scientific categories, the distinction between reptiles and amphibians is a historical creation, and of surprisingly recent vintage at that.

When Carl Linnaeus first published his Systema Naturæ in 1735, what we know as reptiles and amphibians were lumped together in a class named Amphibia. The class—“naked or scaly body; molar teeth, none, others, always; no feathers” (“Corpus nudum, vel squamosum. Dentes molares nulli: reliqui semper. Pinnæ nullæ”)—was divided among turtles, frogs, lizards, and snakes. Linnaeus concludes his outline with these words:

the benignity of the Creator chose not to extend the class of amphibians any further; indeed, if it should enjoy as many genera as the other classes of animals include, or if that which the teratologists fantasize about dragons, basilisks, and such monsters were true, the human race could hardly inhabit the earth” (“Amphibiorum Classem ulterius continuare noluit benignitas Creatoris; Ea enim si tot Generibus, quot reliquæ Animalium Classes comprehendunt, gauderet; vel si vera essent quæ de Draconibus, Basiliscis, ac ejusmodi monstris si οι τετραλόγοι [sic] fabulantur, certè humanum genus terram inhabitare vix posset”) (n.p.).

KONICA MINOLTA DIGITAL CAMERA
Sand lizard (Lacerta agilis), an amphibian according to Linnaeus (photo credit: Friedrich Böhringer)

In the 1758 canonical tenth edition of the Systema, Linnaeus provided a more elaborate set of characteristics for Amphibia: “a heart with a single ventricle and a single atrium, with cold, red blood. Lungs that breathe at will. Incumbent jaws. Double penises. Frequetly membranaceous eggs. Senses: tongue, nose, eyes, and, in many cases, ears. Covered in naked skin. Limbs: some multiple, others none” (“Cor uniloculare, uniauritum; Sanguine frigido, rubro. Pulmones spirantes arbitrarie. Maxillæ incumbentes. Penes bini. Ova plerisque membranacea. Sensus: Lingua, Nares, Oculi, multis Aures. Tegimenta coriacea nuda. Fulcra varia variis, quibusdam nulla”) (I.12). Interestingly, Linnaeus now divides Amphibia into three, based on their mode of
locomotion:

  1. Reptiles (“those that creep”), including turtles, lizards, frogs, and toads;
  2. Serpentes (“those that slither”), including snakes, worm lizards, and caecilians;
  3. Nantes (“those that swim”), including lampreys, rays, sharks, sturgeons, and several other types of cartilaginous fish (I.196).

Smokey_Jungle_Frog
Smokey jungle frog (Leptodactylus pentadactylus), a reptile according to Laurenti and Brongniart (photo credit: Trisha M. Shears)

Linnaeus’s younger Austrian contemporary, Josephus Nicolaus Laurenti, also groups modern amphibians and reptiles together, even as he excludes the fish Linnaeus had categorized as swimming AmphibiaLaurenti was the first to call this group Reptilia (19), and though its denizens have changed considerably in the intervening centuries, he is still credited as the “auctor” of class Reptilia. The French mineralogist and zoologist Alexandre Brongniart also subordinated “batrachians” (frogs and toads) within the broader class of reptiles. All the while, exotic specimens continued to test taxonomic boundaries: “late-eighteenth-century naturalists tentatively described the newly discovered platypus as an amalgam of bird, reptile, and mammal” (Ritvo, The Platypus and the Mermaid, 132).

It was not until 1825 that Brongniart’s compatriot and contemporary Pierre André Latreille’s Familles naturelles du règne animal separated Reptilia and Amphibia as adjacent classes. The older, joint classification survives in the field of herpetology (the study of reptiles and amphibians) and the sadly underused word “herptile” (“reptile or amphibian”).

“Herptile” is a twentieth-century coinage. “Reptile,” by contrast, appears in medieval English; derived from the Latin reptile, reptilis—itself from rēpō (“to creep”)—“reptile” originally meant simply “a creeping or crawling animal” (“reptile, n.1” in OED). The first instance cited by the Oxford English Dictionary is from John Gower’s Confessio Amantis (c.1393): “And every neddre and every snake / And every reptil which mai moeve, / His myht assaieth for to proeve, / To crepen out agein the sonne” (VII.1010–13). The Vulgate Latin Bible uses reptile, reptilis to translate the “creeping thing” (רֶמֶשׂ) described in Genesis 1, a usage carried over into medieval English, as in the “Adam and Eve” of the Wheatley Manuscript (BL Add. MS 39574), where Adam is made lord “to ech creature & to ech reptile which is moued on þe erþe” (fol. 60r). Eventually, these “creeping things” became a distinct group of animals: an early sixteenth-century author enumerates “beestes, byrdes, fysshes, reptyll” (“reptile, n.1” in OED). I suspect the identification of the “reptile” (creeping thing) with herptiles owes something to the Serpent in the Garden of Eden being condemned by God to move “upon thy belly” (Gen. 3:14). The adjective “amphibian” is attested in English as early as 1637, but in the sense of “having two modes of existence.” Not until 1835—after the efforts of Latreille and his English popularizer, T. H. Huxley—does the word come to refer to a particular class of animals (“amphibian, adj. and n.” in OED).

The crucial point here is that the distinction between the two groups, grounded though it may be in biology and phylogenetics, is an artifact of taxonomy, not a self-evident fact of the natural world. For early modern, medieval, and ancient observers, snakes and salamanders, turtles and toads all existed within an ill-defined territory of creeping, crawling things.

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Fourteenth-century icon of Saint George and a very snakelike dragon (photo credit: Museum of Russian Icons, Moscow)

The farther back we go, the more fantastic the category becomes, encompassing dragons, sea serpents, basilisks, and the like. Religion, too, played its part, as we have seen with Eve’s serpentine interlocutor: Egypt’s plague of frogs, the dragon of Revelation, the Leviathan, the scaly foes of saints like George and Margaret, were within the same “reptilian”—creeping, crawling—family. To be sure, the premodern observer was perfectly aware of the differences between frogs and lizards, and between different species (what could be eaten and what could not, what was dangerous and what was not). But they would not—and had no reason to—erect firm ontological boundaries between the two sorts of creatures.

When we go back to the key works of medieval and ancient natural philosophy, the same nebulosity prevails. Isidore of Seville’s magisterial Etymologies of the early seventh century includes an entry “On Serpents” (“De Serpentibus”), which notes,

the serpent, however, takes that name because it crawls [serpit] by hidden movements; it creeps not with visible steps, but with the minute pressure of its scales. But those which go upon four feet, such as lizards and geckoes [stiliones could also refer to newts], are not called serpents but reptiles. Serpents are also reptiles, since they creep on their bellies and breasts” (“Serpens autem nomen accepit quia occultis accessibus serpit, non apertis passibus, sed squamarum minutissimis nisibus repit. Illa autem quae quattuor pedibus nituntur, sicut lacerti et stiliones, non serpentes, sed reptilia nominantur. Serpentes autem reptilia sunt, quia ventre et pectore reptant.”) (XII.iv.3).

The forefather of premodern zoology, Aristotle, opines in Generation of Animals “there is a good deal of overlapping between the various classes;” he groups snakes with fish because they have no feet as easily he links them with lizards because they are oviparous (II.732b, trans. A. L. Peck).

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Atlantic puffin (Fratercula arctica), a reptile according to modern phylogenetics (photo credit: NOAA Photo Library—anim1991)

As it turns out, our modern category of “reptile” (class Reptilia) has proved similarly elastic. In evolutionary terms, this is because “reptiles” are not a clade—a group of organisms defined by a single ancestor species and all its descendants. Though visually closer to lizards, for example, genetically speaking the crocodile is a nearer relative to birds (class Aves). Scientists and science writers have thus claimed—sometimes facetiously—that the very category of reptile is a fiction (see Welbourne, “There’s no such thing as reptiles”). The clade Sauropsida, including reptiles and birds (as a subset thereof), was first mooted by Huxley and subsequently resurrected in the twentieth century to address the problem. Birds are now reptiles, though they seldom creep. If I may be permitted a piece of Isidorean etymological fantasy, perhaps this is the true import of the “reptile” as “creeping thing,” as they creep across and beyond taxonomic boundaries, eternally frustrating and fascinating those who seek to understand them.

 

 

 

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Between Conservatism and Fascism in Troubled Times: Der Fall Bernhard

by guest contributor Steven McClellan

The historian Fritz K. Ringer claimed that for one to see the potency of ideas from great thinkers and to properly situate their importance in their particular social and intellectual milieu, the historian had to also read the minor characters, those second and third tier intellectuals, who were barometers and even, at times, agents of historical change nonetheless. One such individual who I have frequently encountered in the course of researching my dissertation, was the economist Ludwig Bernhard. As I learned more about him, the ways in which Bernhard formulated a composite of positions on pressing topics then and today struck me: the mobilization of mass media and public opinion, the role of experts in society, the boundaries of science, academic freedom, free speech, the concentration of wealth and power and the loss of faith in traditional party politics. How did they come together in his work?

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Ludwig Bernhard (1875-1935; Bundesarchiv, Koblenz Nl 3 [Leo Wegener], Nr. 8)
Bernhard grew up in a liberal, middle-class household. His father was a factory owner in Berlin who had converted from Judaism to Protestantism in 1872. As a young man, Bernhard studied both Munich and Berlin under two-heavyweights of the German economic profession: Lujo Brentano and Gustav Schmoller. Bernhard found little common ground with them, however. Bernhard’s friend, Leo Wegener, best captured the tension between the young scholar and his elders. In his Erinnerungen an Professor Ludwig Bernhard (Poznań: 1936, p. 7), Wegener noted that “Schmoller dealt extensively with the past,” while the liberal Brentano, friend of the working class and trade unions, “liked to make demands on the future.” Bernhard, however, “was concerned with the questions of the present.” He came to reject Schmoller and Brentano’s respective social and ethical concerns. Bernhard belonged to a new cohort of economists who were friendly to industry and embraced the “value-free” science sought by the likes of Max Weber. They promoted Betriebswirtschaft (business economics), which had heretofore been outside of traditional political economy as then understood in Germany. Doors remained closed to them at most German universities. As one Swiss economist noted in 1899, “appointments to the vacant academical [sic] chairs are made as a rule at the annual meetings of the ‘Verein für Socialpolitik’,” of which Schmoller was chairman from 1890-1917. Though an exaggeration, this was the view held by many at the time, given the personal relationship between Schmoller and one of the leading civil servants in the Prussian Ministerium der geistlichen, Unterrichts- und Medizinalangelegenheiten (Department of Education, church and medical affairs), Friedrich Althoff.

Part of Bernhard’s early academic interest focused on the Polish question, particularly the “conflict of nationalities” and Poles living in Prussia. Unlike many other contemporary scholars and commentators of the Polish question, including Max Weber, Bernhard knew the Polish language. In 1904 he was appointed to the newly founded Königliche Akademie in Posen (Poznań). In the year of Althoff’s death (1908), the newly appointed Kultusminister Ludwig Holle created a new professorship at the University of Berlin at the behest of regional administrators from Posen and appointed Bernhard to it. However, Bernhard’s placement in Berlin was done without the traditional consultation of the university’s faculty (Berufungsverfahren).

The Berliner Professorenstreit of 1908-1911 ensued with Bernhard’s would-be colleagues, Adolph Wagner, Max Sering and Schmoller protesting his appointment. It escalated to the point that Bernhard challenged Sering to a duel over the course lecture schedule for 1910/1911, the former claiming that his ability to lecture freely had been restricted. The affair received widespread coverage in the press, including attracting commentaries from notables, such as Max Weber. At one point, just before the affair seemed about to conclude, Bernhard published an anonymous letter in support of his own case, which was later revealed that he was in fact the author. This further poisoned the well with his colleagues. The Prussian Abgeordnetenhaus (Chamber of Deputies) would debate the topic: the conservatives supported Bernhard and the liberal parties defended the position of the Philosophical Faculty. Ultimately, Bernhard would keep his Berlin post.

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Satire of the Professorenstreit (click for larger image)

The affair partly touched upon the threat of the political power and the freedom of the Prussian universities to govern themselves—a topic that Bernhard himself extensively addressed in the coming years. It also concerned the rise of the new discipline of “business economics” gaining a beachhead at German secondary institutions. Finally, the Professorenstreit focused on Bernhard himself, an opponent of much of what Schmoller and his colleagues in the Verein für Socialpolitik stood for. He proved pro-business and an advocate of the entrepreneur. Bernhard also showed himself a social Darwinist, deploying biological and psychological language, such as in his analysis of the German pension system in 1912. He decried what he termed believed the “dreaded bureaucratization of social politics.” Bureaucracy in the form of Bismarck’s social insurance program, Bernhard argued, diminished the individual and blocked innovation, allowing the workers to become dependent on the state. Men like Schmoller, though critical at times of the current state of Prussian bureaucracy, still believed in its potential as an enlightened steward that stood above party-interests and acted for the general good.

Bernhard could never accept this view. Neither could a man who became Bernhard’s close associate, the former director at Friedrich Krupp AG, Alfred Hugenberg. Hugenberg was himself a former doctoral student of another key member of the Verein für Socialpolitik , Georg Friedrich Knapp. Bernhard was proud to be a part of Hugenberg’s circle, as he saw them as men of action and practice. In his short study of the circle, he praised their mutual friend Leo Wegener for not being a Fachmann or expert. Like Bernhard, Hugenberg disliked Germany’s social policy, the welfare state, democracy, and—most importantly—socialism. Hugenberg concluded that rather than appeal directly to policy makers and state bureaucrats through academic research and debate, as Schmoller’s Verein für Socialpolitik had done, greater opportunities lay in the ability to mobilize public opinion through propaganda and the control of mass media. The ‘Hugenberg-Konzern’ would buy up controlling interests in newspapers, press agencies, advertising firms and film studios (including the famed Universum Film AG, or UfA).

In 1928, to combat the “hate” and “lies” of the “democratic press” (Wegener), Bernhard penned a pamphlet meant to set the record straight on the Hugenberg-Konzern. He presented Hugenberg as a dutiful, stern overlord who cared deeply for his nation and did not simply grow rich off it. Indeed, the Hugenberg-Konzern marked the modern equivalent to the famous Raiffeisen-Genossenschaften (cooperatives) for Bernhard, providing opportunities for investment and national renewal. Furthermore, Bernhard claimed the Hugenberg-Konzern had saved German public opinion from the clutches of Jewish publishing houses like Mosse and Ullstein.

Both Bernhard and Hugenberg pushed the “stab-in-the-back” myth as the reason for Germany’s defeat in the First World War. The two also shared a strong belief in fierce individualism and nationalism tinged with authoritarian tendencies. These views all coalesced in their advocacy of the increasing need of an economic dictator to take hold of the reins of the German economy during the tumultuous years of the late Weimar Republic. Bernhard penned studies of Mussolini and fascism. “While an absolute dictatorship is the negation of democracy,” he writes, “a limited, constitutional dictatorship, especially economic dictatorship is an organ of democracy.” (Ludwig Bernhard: Der Diktator und die Wirtschaft. Zurich: 1930, pg. 10).

Hugenberg came to see himself as the man to be that economic dictator. In a similar critique mounted by Carl Schmitt, Bernhard argued that the parliamentary system had failed Germany. Not only could anything decisive be completed, but the fact that there existed interest-driven parties whose existence was to merely antagonize the other parties, stifle action and even throw a wrench in the parliamentary system itself, there could be nothing but political disunion. For Bernhard, the socialists and communists were the clear violators here.

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Ludwig Bernhard, »Freiheit der Wissenschaft« (Der Tag, April 1933; BA Koblenz, Nl 3 [Leo Wegener)], Nr. 8, blatt 91; click for larger image)
The Nazis proved another story. Hitler himself would be hoisted in power by Hugenberg. Standing alongside him was Bernhard. In April 1933, Bernhard published a brief op-ed entitled “Freiheit der Wissenschaft,” which summarized much of his intellectual career. He began by stating, “Rarely has a revolution endured the freedom of science.” Science is free because it is based on doubt. Revolution, Bernhard writes, depends on eliminating doubt. It must therefore control science. According to Bernhard, this is what the French revolutionaries in 1789 attempted. In his earlier work on this topic, Bernhard made a similar argument, stating that Meinungsfreiheit (free speech) had been taken away by the revolutionary state just as it had been taken away by democratic Lügenpresse. Thankfully, he argued, Germany after 1918 preserved one place where the “guardians” of science and the “national tradition” remained—the universities, which had “resisted” the “criminal” organization of the Socialist Party’s Prussian administration. Bernhard, known for his energetic lectures, noted with pride in private letters the growth of the Nazi student movement. In 1926, after having supported the failed Pan-German plan to launch a Putsch (coup d’état) to eliminated the social democratic regime in Prussia, Bernhard spoke to his students, calling on the youth to save the nation. Now, it was time for the “national power” of the “national movement” to be mobilized. And in this task, Bernhard concluded, Adolf Hitler, the “artist,” could make his great “masterpiece.”

Ludwig Bernhard died in 1935 and therefore never saw Hitler’s completed picture of a ruined Germany. An economic nationalist, individualist, and advocate of authoritarian solutions, who both rebelled against experts and defended the freedom of science, Bernhard remains a telling example of how personal history, institutional contexts and the perception of a heightened sense of cultural and political crisis can collude together in dangerous ways, not least at the second-tier of intellectual and institutional life.

Steven McClellan is a PhD Candidate in History at the University of Toronto. He is currently writing his dissertation, a history of the rise and fall, then rebirth of the Verein für Sozialpolitik between 1872 and 1955.

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Writing the History of University Coeducation

by Emily Rutherford

When Yung In Chae told me that she was going to Nancy Malkiel’s book talk, I begged her to cover it for the blog. After all, my dissertation is a new, comprehensive history of coeducation in British universities, and as I was writing my prospectus Malkiel helped to put coeducation back into historians’ headlines. As Yung In’s account shows, Malkiel’s weighty tome restores some important things that have been missing in previous histories of university coeducation: attention to the intricacy of the politics through which institutions negotiated coeducation (and an emphasis on politics as a series of negotiations between individuals, often obeying only the logic of unintended consequences), and attention to the men who were already part of single-sex institutions and considered whether to admit women to them. Histories of coeducation usually focus on the ideas and experiences of women who sought access to the institutions, whether as teachers or as students. But that tends to imply a binary where women were progressives who supported coeducation and men were reactionaries who opposed it. As Malkiel shows—and as we might know from thinking about other questions of gender and politics like women’s suffrage—it just doesn’t work like that.

Malkiel’s book strikes me as a compelling history of gender relations at a specific set of universities at a particular moment—the 1960s and ’70s, which we all might point to as a key period in which gender norms and relations between men and women came under pressure on both sides of the Atlantic. But we should be wary, I think, of regarding it as the history of coeducation (Malkiel isn’t suggesting this, but I think that’s how some people might read it—not least when glancing at the book’s cover and seeing the subtitle, “The Struggle for Coeducation”). Malkiel’s story is an Ivy League one, and I’m not sure that it can help us to understand what coeducation looked like at less selective universities whose internal politics were less dominated by admissions policy; at universities in other countries (like the UK) which existed in nationally specific contexts for institutional structure and cultural norms surrounding gender; or in terms of questions other than the co-residence of students. Some of Malkiel’s cases are unusual universities like Princeton and Dartmouth which admitted women very late in the game, but others are about the problem of co-residency: merging men’s and women’s institutions like Harvard and Radcliffe that already essentially shared a campus and many resources and administrative structures, or gender-integrating the Oxford and Cambridge colleges, and thus meaning that men and women students would live alongside each other. But at these institutions, as at other, less elite universities, student life was already significantly coeducational: men and women had some, though not all, teaching in common; they joined mixed extracurricular organizations; they socialized together—though this was limited by curfews and parietal rules, which in 1960s style became the focus of student activism around gender relations. Women teachers and administrators faced other, historically specific challenges about how to be taken seriously, or how to balance a career and marriage. Those who opposed coeducation and sought to support single-sex institutions did so—as Malkiel shows—in ways specific to the political and social context of the 1960s.

But my dissertation research suggests that lasting arguments about co-residency that persisted into the 1960s—and ultimately resulted in the coeducation of hold-out institutions like Princeton and Dartmouth—were the product of an earlier series of conflicts in universities over coeducation and gender relations more broadly, whose unsatisfactory resolution in some institutions set up the conflicts Malkiel discusses. Let’s take the British case, which is not perfectly parallel to the US case but is the focus of my research. My dissertation starts in the 1860s, when there were nine universities in Great Britain but none admitted women. The university sector, like the middle class, exploded in the nineteenth century, and as this happened, the wives, sisters, and daughters of a newly professionalized class of university teachers campaigned for greater educational opportunities for middle-class women. In the late 1870s, Bristol and London became the first universities to admit women to degrees, and activists founded the first women’s colleges at Oxford and Cambridge, though they were not yet recognized by the universities. By 1930, there were seventeen universities in Britain as well as many colleges, all except Cambridge granting women degrees. Cambridge would not admit women to the BA until 1948, and as Malkiel shows the Oxford and Cambridge colleges wouldn’t coeducate until the 1970s. Indeed, higher education did not become a mass system as in the US until the period following the 1963 Robbins Report, and national numbers of women undergraduates did not equal men until the higher education system was restructured in 1992. But it’s already possible to see that a definition of coeducation focused not on co-residency but on women’s admission to the BA nationally, and on the first women on university campuses—as teachers, as students, and also as servants or as the family members or friends of men academics—changes the periodization of the story of coeducation, placing the focal point somewhere around the turn of the twentieth century and taking into account the social and cultural changes wrought by significant factors within British history such as massive urbanization or the First World War. Of course, it’s not just about the BA, and the cultural aspects of this shift in norms surrounding gender relations in Britain are an important part of the story—as middle-class men and women (particularly young men and women) found themselves confronting the new social experience of being friends with each other, an experience which many found perplexing and awkward, but which the more liberal sought out regardless of whether they were educated at the same institutions or whether there were curfews and other regulations governing the ways they could meet each other. University administrators had to confront the same questions among their own generation, while also making decisions about institutional priorities: should accommodation be built for women students? should it look different from the accommodation offered to men students? should women be allowed into the library or laboratory or student union? should they be renovated to include women’s restrooms? how would these projects be funded? would philanthropists disgruntled by change pull their donations? These were questions universities faced in the 1920s as much as in the 1960s—or today.

I’m still early in my research, but one focus of my inquiries is those who opposed coeducation. They haven’t been given as much attention as those who fought for it—but what did they perceive to be the stakes of the question? What did they think they stood to lose? Who were they, and how did they make their claims? I already know that they included both men and women, and that while many of them were garden-variety small-c conservatives, not all of them were. I also know that for many, homoeroticism played an important role in how they explained the distinctive value of single-sex education. By 1920, the battle over women being admitted to the BA was over at all British institutions except Cambridge, but these opponents put up a strong fight. They help to show that coeducation wasn’t foreordained in a teleology of progress, but was the outcome of certain compromises and negotiations between factions, whose precise workings varied institutionally. Yet the opponents also were in many respects successful. After their institutions admitted women to the BA, they carved out spaces in which particular forms of single-sex sociability could continue. The Oxbridge collegiate system enabled this, but it also happened through single-sex student organizations (and persists, it might be noted, in universities that today have vibrant fraternity and sorority cultures), many of which were sponsored and fostered by faculty, alumni, or donors who had a stake in the preservation of single-sex spaces. Coeducation is often viewed as a process that ended when women were admitted to the BA. But even after this formal constitutional change, single-sex spaces persisted: colleges, residence halls, extracurricular organizations, informal bars to women’s academic employment, and personal choices about whom teachers and students sought to work, study, and socialize alongside. Understanding how this happened in the period from, say, 1860 to 1945 helps to explain the causes and conditions of the period on which Malkiel’s work focuses, whose origins were as much in the unresolved conflicts of the earlier period of coeducation as they were in the gender and sexuality foment of the 1960s. I suspect, too, that there may be longer-lasting legacies, which continue to structure the politics and culture of gender in the universities in which we work today.