The Journal of the History of Ideas Blog

Tag Metahistory

Rescuing the Eighteenth-Century Church of England from the Enormous Condescension of Posterity

by Emily Rutherford I think I’ve found the biggest gap in the secondary literature of all time. As long ago as 1860, the Oxford priest and historian Mark Pattison noticed that historians tended to overlook the Church of England in… Continue Reading →

British History and the Question of Relevance: Dispatches from the Mid-Atlantic Conference on British Studies

by Emily Rutherford Jo Guldi and David Armitage’s History Manifesto continues to make headlines within academic circles. Deborah Cohen and Peter Mandler’s critique (about which I wrote in January) has now appeared in the American Historical Review, with a reply… Continue Reading →

Approaching Religious Belief and Practice in Modern Intellectual History

by Emily Rutherford Two weeks ago, I attended a concert of seventeenth-century German music. The theme was the liturgical season of Lent, with a number of pieces meditating somberly on death. They meant Jesus’s crucifixion, of course, but I found… Continue Reading →

The Women of Négritude

by guest contributor Sarah Dunstan With the publication of his famous Cahier d’un retour au pays natal (English trans.) in 1937, Aimé Césaire introduced the word Négritude into the French lexicon. In so doing, he named the black literary and… Continue Reading →

History contra global

by John Raimo It is a truth universally acknowledged, that everyone feels strongly about global history. It may even prove more contentious so far as intellectual history goes. Yet what goes comparatively little discussed would be how today’s global history… Continue Reading →

Marcel Schwob and Moody History

by guest contributor Dylan Kenny Everyone in Paris knew Marcel Schwob (1867-1905). Journalist, critic, slang philologist, decadent symbolist fabulist, whose French Hamlet Sarah Bernhardt acted in 1899, whose 1904 lectures on François Villon were attended by Max Jacob and his… Continue Reading →

Why Are All the Costume Dramas Edwardian?, or, History and Popular Memory

by Emily Rutherford When the World War I-era miniseries Parade’s End, based on the novels of Ford Madox Ford, was being broadcast on the BBC, a British friend asked me, “Why are all the costume dramas Edwardian?” It’s true: the… Continue Reading →

Mobility in Context and the Global Intellectual

by Maryam Patton If ideas are the most migratory things in the world, as Arthur O. Lovejoy suggested in 1940, then why have intellectual historians proven less eager to adopt the precepts of global history in comparison to their colleagues… Continue Reading →

The Sounds of History

by John Raimo So far as writing history goes, the British historian G.M. Young wrote, “The secret is to treat every document as the record of a conversation, and go on reading till you hear the people speaking.” This characterization… Continue Reading →

Would you like your history slanderous or boring?

by guest contributor Caio Ferreira “A journal, sir, is no more a history than materials are a house.” Voltaire wrote this to the historian Jöran Andersson Nordberg, chaplain of king Charles XII of Sweden, in 1744. They respond assertively to… Continue Reading →

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