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The Journal of the History of Ideas Blog

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Museum Studies

Images of history

by John Raimo As often as historians and art historians talk past one another, they also come together before common problems, questions, and sources. Both groups recognize the sheer power of images. Such a moment has reappeared in intellectual history…. Continue Reading →

Institutions and Fragments: “A Portrait of Antinous, In Two Parts” at the AIC

By guest contributor Luke A. Fidler The postwar art museum has increasingly served as a site of artistic intervention, whether through sanctioned forms of institutional critique (Fred Wilson’s pointed rearrangements of the collections at the Maryland Historical Society and the… Continue Reading →

Dressing Up in Late Antique Egypt: A Review of ISAW’s ‘Designing Identity’

by contributing editor Jake Purcell One of the joys of being in New York is the relative plethora of late-antique objects scattered throughout the city. The Met does not exactly have a late antique room, but, in a corridor gallery… Continue Reading →

Dissenting voices: positive/negative: HIV/AIDS in NYU’s Fales Library

By guest contributor Mia D’Avanza A screen-printed poster with the familiar Coca-Cola logo, reading “Enjoy AZT”, greeted visitors to the recent show positive/negative: HIV/AIDS at NYU’s Tracey/Barry Gallery. The poster, produced for AIDS activist group ACT UP, alters the Coke logo… Continue Reading →

Thinking with the Hand: Andrea del Sarto and the Practice of Drawing

by guest contributor Cynthia Houng “So the point of my keeping a notebook has never been, nor is it now, to have a factual record of what I have been doing or thinking. That would be a different impulse entirely,… Continue Reading →

Reflections on “Treasured Possessions” and Material Culture

by Madeline McMahon “Treasured Possessions from the Renaissance to the Enlightenment,” an exhibit at the Fitzwilliam Museum in Cambridge, folds the viewer into the fabric of life in early modern Europe. Street venders hawked their fare and pharmacists displayed their… Continue Reading →

Medardo Rosso’s Casts, Copies and Prints: Illuminating the Artist’s Process

By guest contributor Jeremy Bleeke The life and work of Medardo Rosso (1858-1928) has traditionally been divided by scholars into two phases: an initial period of creative fecundity, and a late period characterized by processes of reproduction, repetition, and copying,… Continue Reading →

Imagining the World of Early Print

By guest contributor Devani Singh Amongst the incunabula or “cradle books” – those produced before 1500, in the infancy of printing – currently on display at the Cambridge University Library is a more recent manuscript. It is an autograph copy… Continue Reading →

Curing Vichy Syndrome

by John Raimo Historiography can sometimes seem like a zero-sum game. New facts come to light and old politics set different lines of battle. One school of thought supersedes another, or at least vociferously claims to do so turning and… Continue Reading →

Making German history safe

by John Raimo Can a museum exhibition curate itself? So far as concerns history, the answer would seem to be not quite. Here I am referring to Neil MacGregor’s work at the British Museum, namely Germany: Memories of a Nation—A… Continue Reading →

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